On Nov. 23, 1936, bluesman Robert Johnson made his first recordings at San Antonio’s Gunter Hotel. He wasn’t the first artist, or even the most popular, to cut records in the Mississippi Delta blues style before WWII, but Johnson’s Depression-era records would become legend.
His haunting lyricism and otherworldly guitar beget mythology, deepened by the mystery of Johnson’s death two years later. You know his myth even if you don’t know his songs.
He’s the bluesman they say sold his soul to the Devil at the crossroads. But before all that mythmaking, Johnson was a young, itinerant guitarist from Mississippi in a San Antonio hotel room trying to make a hit. Englishman Don Law produced the sessions for Vocalion Records, one of those open-cattle-call affairs that record companies led in the South during the Great Depression.
One artist cycled into the room after another in quick succession, Johnson squeezing in between country gospel group the Chuck Wagon Gang and música tejana duo Andres Berlanga and Francisco Montalvo. Johnson’s San Antonio sessions yielded the songs “Sweet Home Chicago,” “Rambling on My Mind,” and “Cross Road Blues,” among others.